Artist Bio: Dr. Seuss

Theodor Seuss Geisel, a.k.a. Dr. Seuss, began his career as a little known editorial cartoonist in the 1920s. His intriguing perspective and fresh concepts ignited his career, and his work evolved quickly to deft illustrations, modeled sculpture and sophisticated oil paintings of elaborate imagination. Seuss's unique artistic vision emerged as the golden thread which linked every facet of his varied career, and his artwork became the platform from which he delivered 44 children’s books, over 400 World War II political cartoons, hundreds of advertisements, and countless editorials filled with wonderfully inventive animals, characters and clever humor.

This Art of Dr. Seuss offers a rare glimpse into the artistic life of this celebrated American icon and chronicles almost seven decades of work that, in every respect, is uniquely, stylistically and endearingly “Seussian.” Works in this collection have been reproduced from significant public and private collections, including the University of California San Diego and the Estate of Dr. Seuss.

It is with tremendous enthusiasm that we present nearly 70 years worth of American history via the timeless, groundbreaking and imminently fun work of Theodor Seuss Geisel.

For more information on the life of Dr. Seuss... Click Here... for his official biography

1. Antiquing and Collections Magazine, October 2004 - 1
2. Antiquing and Collections Magazine, October 2004 - 2
3. Antiquing and Collections Magazine, October 2004 - 3
4. The Arizona Republic, November 2004
5. The Atlanta Journal-Constitution, September 2004 - 1
6. The Atlanta Journal-Constitution, September 2004 - 2
7. Austin Monthly, December 2006
8. Chicago Sun-Times, August 2004
9. The Dallas Morning News, September 2005 - 1
10. The Dallas Morning News, September 2005 - 2
11. Detroit Free Press, March 2006
12. The Detroit News, March 2006
13. Hemispheres Magazine, April 2004
14. The Indianapolis Star, January 2004 - 1
15. The Indianapolis Star, January 2004 - 2
16. The Los Angeles Times, March 2005 - 1
17. The Los Angeles Times, March 2005 - 2
18. The New York Times, May 2004
19. San Francisco Chronicle, July 2004
20. Southwest Airlines "Spirit", November 2005
21. USA Today, December 2006
22. The Washington Post, December 2005 - 1
23. The Washington Post, December 2005 - 2
24. The Washington Times, December 2005 - 1
25. The Washington Times, December 2005 - 2

Artevo Shipping and "No Questions Asked" Return Policy

Artevo will generally ship your purchase within 14 days, via Federal Express, UPS or Canada Post. The shipping period will vary depending on your location and the extent of packaging and handling required for each purchase. An unframed limited edition that is shipped in a tube would take less time than that of say a large framed original that requires special crating. A 7 day return policy makes your purchase at Artevo.com completely risk free.

If for any reason, you are not absolutely satisfied with your purchase, simply notify us within seven days of your receipt of the artwork. You may return the artwork for a full refund or it can be exchanged. In each case you pay only the shipping. Returned artwork must be suitably insured and re-sent in the same packing materials in which it was originally sent. Please let us know if you would like to return the artwork by calling us at 1-877-244-4644 (toll free from the US) or 1-403-244-8123 (from outside the US) or by e-mail at In either case our Customer Care representative will guide you through the process and issue you with a return confirmation.

In the unlikely event that the artwork arrives damaged, please call Customer Care immediately on 1-877-244-4644 (toll free from the US) or 1-403-244-8123 (from outside the US) or e-mail us at Our Customer Care representative will guide you through your options. These may include replacing the damaged artwork, credit towards another purchase, or a full refund.

Online Color Consistency

At Artevo – we strive to make sure that all of the artwork displayed on the site is shown in the most accurate fashion possible. However it is possible that due to the make and model of both your computer’s video card and monitor, the colors shown on your computer may not be exactly the same as the actual artwork. Artevo has no control over this scenario and assumes that when you purchase a piece of art that the artwork ordered may not be exactly the same as seen on the website. However if you are unsatisfied with your purchase just follow the Shipping and returns policy outlined above.

What does the word giclée mean?

The contemporary Giclée has become a valuable part of the limited edition fine art world. "Giclée" is a French term which means to spray ink. The pronunciation of giclée is "zhee-clay."

Essentially, a giclée print is the reproduction of an original work of art (created by conventional means, such as painting, drawing, etc.) using a highly specialized inkjet printer.

Giclées have a higher resolution than offset lithographs and the dynamic color range is greater than that of a serigraph. Giclées are created by a method of printing in which the image is scanned and digitally enhanced on a computer to match the original fine art. The image is then sent to a high-resolution inkjet printer, which sprays millions of microscopic droplets of ink onto various substrates to create an image with smooth tonal gradation. These unique jets are able to vary the width of the ink stream to as small as 1/100th the width of human hair. In the art world this is generally regarded as the highest quality reproduction available.

Despite the fact that artists were experimenting with this medium as far back as the late 1970s, fine art inkjet printing emerged as an art form in the early 1990s. The term giclée was originally only applied to a very specific form of printing: the output from the Iris inkjet printer (more specifically the Iris 3024, 3047, or 3047G).Today, giclée can refer to any digital fine art canvas print output on a quality inkjet printer. Such well-known brands as Epson, MacDermid Colorspan and Hewlett Packard have high end 6 – 12 color printers that are used to make fine art giclées.

The entire process of production to achieve the final fine art giclée is an artistic endeavor within itself, requiring a great deal of patience and skill. A professional quality giclée starts with a high resolution digital photograph. This file must then be color corrected and adjusted to match the original artwork.

Matching the final print to the original painting is a demanding process, because the digital colors of an image (which are composed of three colors: red, green and blue) must be adjusted to look true once printed on canvas with the printer (which uses four colors: cyan, magenta, yellow and black). This requires the use of a colorist and is overseen by the artist. The file preparation and proofing can take anywhere from a couple of hours to weeks, depending on the challenges posed by each image.

Printing is an integral part of the giclée process, and care must be taken to ensure the best result possible. It is essential to use a high quality printer with professional grade nozzles. These nozzles are able to apply ink dots as small as 1/100th the width of human hair. Giclées are printed on specially treated canvas using archival inks and then lacquered to increase their colorfastness and longevity.

Artevo uses all of these techniques and materials to ensure the quality of our giclées. We employ a team of experts in the field of scanning, color matching and printing. The end result is the finest quality product available. Our production department is dedicated to keeping our giclée production standards and materials of the highest quality. We strive to use the most current giclée technology and keep up with the latest industry developments.

Artevo produces its fine art giclée on high quality canvas, thereby creating an exquisite product that has all the characteristics of the original painting and does not need to be framed under glass.

Today, images reproduced using the Giclée Process are of such a high quality that they can be found on display at museums around the world, including The Louvre, The Metropolitan Museum of Art and the Guggenheim.

What makes a giclée valuable?

As far as artistic processes are concerned, the giclée process is very new, and subsequently consumers may have questions about how valuable giclées are. Here are some of the reasons why an art buyer should seriously consider purchasing a giclée.